Agree, but that's what we know. The man in the statue is walking into a void from his perspective because he lacks knowledge of his true predicament and is blindly marching forward.
I think it's a reasonable statue. But does anyone else think it's a bit obvious, more so than his other work? Like there is no doubt on the meaning at all, it's all right there on the surface level.
I don't think most of his work is trying for subtle? First thing that came to mind: "Slave Labour" is pretty obvious, it's a kid operating a sewing machine to make Union flags and it was painted on an actual pound shop. Were you unsure of the message? Even something like "Silent Majority" isn't difficult, the comic book "V for Vendetta" makes the exact same point just Banksy painted it as a mural.
it gets people talking which many of those who like it consider to be the primary point. In other words, it's not great public art, it's basically government approved engagement bait or engineered pro-establishment viral messaging and it's very successful at that! (but it doesn't inspire and elevate that art should aspire to)
It was installed in the middle of a street owned by the government. Police are guarding it to prevent vandalism or removal. Both the Westminster City Council and the Mayor of London have praised the statue and called for it to be preserved.[1][2]
If the man holding the flag had been wearing a thawb instead of a suit, I think the establishment's response would be quite different.
1. From https://www.bbc.com/news/articles/c5y9wlnwl85o "We're excited to see Banksy's latest sculpture in Westminster, making a striking addition to the city's vibrant public art scene. While we have taken initial steps to protect the statue, at this time it will remain accessible for the public to view and enjoy."
2. From https://www.nytimes.com/2026/04/30/world/europe/banksy-londo... "Banksy has a great ability to inspire people from a range of backgrounds to enjoy modern art. His work always draws great interest and debate, and the mayor is hopeful that his latest piece can be preserved for Londoners and visitors to enjoy."
This one definitely lacks ambition compared to other works. Probably because his other work had a subversive undertone, this one seems sponsored by the powers that be. I also suspect it was installed with cooperation from the local authorities.
I have the same reaction to Banksy, and figure he and his audience just have to be in on the joke? I can’t discount there’s some layered irony going on in conversation between the artist and the intellectual / capitalist / trend-setting elite that are his effective patrons.
“I remember when all this was trees” [1] is maybe the best example. Detroit hasn’t been “trees” in something like two centuries. Platitudes doused in treacle.
Every criticism levelled at the St. George's Cross can be levelled at the Union Jack. It is time people in England had a healthier relationship with their flag, more like Scotland and Wales, and less like Northern Ireland.
The ambiguity is part of the charm. Something that reveals more about the beholders than the artist makes for stimulating conversation and discovery.
Even the new positioning of the art on a plinth in some open space is enigmatic. If it were a critique of the powers that be, why would officialdom collaborate in propping it up?
They don't at all. Consider for example that every single city, county and local council in the UK has a flag. There are flags for the United Nations, the European Union, Esperanto, every major football team and most political movements including the CND and anarchism.
Is it though? This can mean anything. Is waving a Palestinian flag the same as waving an Israeli flag? Where do we draw the line between harmful and productive nationalism? Who exactly is blinded by nationalism?
It is vague enough to appear deep to those trying to find something deep but not concrete enough to appear as anything that will stick in people's minds for more than a week. Unfortunately a lot of modern art is like this.
> Is waving a Palestinian flag the same as waving an Israeli flag?
Waving a flag is not a problem in itself. You can be proud of being part of whatever group you like and not hurt anyone. The problem is when the flag becomes the prism through which you see the world. Or, as the statue puts it, when you’re blinded by it.
When one is a colony of the other the flag of the colonized has added symbol of decolonization. The flag of the colonizers has no such symbol, quite the contrary in fact. These two flags are clearly distinct.
Any attempt at "both sides" messaging is just an attempt of diversion from ethnic cleansing. Cute messages break down the moment you look at things more concretely.
Even if you don't care about palestine, keep in mind imperialist states never stop at one place as we are already seeing.
Resistance to illegal occupation and colonization isn't ethnic cleansing, it's a legal right as ruled by every international body since Israel was formed. Totally false equivalence.
If you want to remove a certain set of people from land (people who were born there btw.) you are engaging in ethnic cleansing. The definition is clear here.
Are you from the UK and know what the piece is a reference to? It’s topical and unpretentious and comes at a time where the country is splintering. Feels a like a bit of a distant midwit take to take shots at the appeal it has.
Splintering? You have two zombie parties that are really the same in different colours. Of course people are going to vote for other parties that seem more left/right wing. Predictable consequence.
Most galvanizing statements have been pithy and comprehensible to 13 year olds. The general population is not doing a deep dive in to something like Thoreau’s “Resistance to Civil Government,” contemplating the proper role of government, and then getting fired up to act. We need CliffsNotes, slogans, and visible art like this.
Actually it’s a great example of something different, where the person who was original and eventually becomes ubiquitous and groundbreaking and widely imitated to the point where it's hard to understand just how original they actually are.
There are many examples of the same thing: Andy Warhol and the soup cans and screen-printed portraits with different color backgrounds or Led Zeppelin and English folk hard rock songs that have hobbits in them are two of them.
Eventually, it's hard to even process their work in the context of how predictable and trite it seems to be a few decades later.
You're being downvoted but honestly the "everyone is twelve now" meme explains our collective societal dysfunction perfectly.
There's no point to complexity or subtlety in art anymore, or even any kind of symbolism at all. Anything that needs to be interpreted, that doesn't have a single objective meaning which gets spelled out for you. Flag man is silly. Everyone is twelve now.
Huh. I hadn't thought about how the "Red Pill movement" would feel for the Wachowskis, yeah, there's truly no limit to how oblivious people can be and this thread is illustrative.
He's also king of the "I'll criticize the west but I'll turn a blind-eye to non-democratic countries' wrongdoings". A trait shared with virtually all intellectuals and artists in the west.
There are fights worth fighting: for example there are 300 million women alive who have undergone forced genital mutilation. 300 million ain't cheap change. There are also hundreds of millions of people who applauded the killing of 1200 young civilians who were enjoying life at a music festival "because it's resistance".
Applauding the killing of young unarmed civilians, genitally mutilating women and turning a blind-eye to a regime slaughtering 30 000+ of its own unarmed civilians is where I personally draw the line and consider there are maybe more important things to complain about than, say, "the patriarchal western society built by heterosexual white men" or some other woke non-sense like that.
Now to be honest Banksy did art criticizing war overall, not just war started by the west. So a generous reading could consider that he also criticizes things like the 800 000 deaths during the Hutu vs Tutsi war.
But still overall: lots of balls from western artists when it's about criticizing the west, but tiny tiny nuts when it's about, say, attacking the ideology that is responsible for 300 people enjoying music at the Bataclan and then getting slaughtered.
But these people can live with their own conscience: I speak up and I've got mine.
That's a lot of imaginary flaws in imaginary people, with imaginary numbers as scaffolding.
The moral posture you're criticising is not actually a thing, I personally don't know of any Western intellectual who criticises the West but is fine with FGM for example. But it seems that the fault you find in them is that when they criticise the West, for example, they don't also add a list of grievances against all the other countries (but surely they'd have to speak for 10 hours every time they open their mouths?).
It's also funny how you take the 30,000 Iranian civilians killed at face value, but don't talk about the wrongs of the British empire. And you didn't even mention North Korea once. You see the issue with your reqs?
Are you making art to fill that perceived gap, or just lodging your objection to people doing their own thing? No artist owes you a curriculum of your design.
There's a lot wrong with the world, but it seems not unreasonable for people to more strongly critique things 1) they feel they have some responsibility for or 2) that directly impact them or 3) where their criticisms are more likely to result in positive change.
What do you want the artists to do about it? Part of art's power is shining a light on something we don't notice day to day. Most westeners are against mutilation, what would the art say?
Art will always be about speaking truth to power, and that power will usually be the one closest felt. There's not much value in a swede speaking truth to Nigerian warlords.
Maybe, but in 100 years, people looking back on the current era will easily understand the work. It symbolically communicates something about the spirit of the age.
I'm not sure what you mean by "Those in power" there are lot's of people who know, but recognise that he has chosen anonymity and see no value in putting a name to the person.
It's not so much a secret as it is simply not public.
The piece states that it appears to be molded fiberglass. But is anyone aware of any more in depth analysis of its materials/possible production technique? Was the pillar barren on top before?
There's a (mostly terrible) documentary about a previous bansky "statue" deposited in London that,
in one of its better moments, tracks down the people who actually make statues for artists like banksy.
edit: I feel I should clarify that this is not an official Banksy documentary. He made "Exit Through the Gift Shop" which is an amazing film which I highly recommend to anyone.
Westminster City Council has told the BBC it did not grant permission, as it was not given advance warning that Banksy's team was planning this installation.
Pretty much what we learned as student when we were doing something which we technically had no permit for (like digging out some stuff, using it for a theme party and putting it backs few days later). Put on some hiviz and nobody is the wiser.
It doesn't make sense in the City. Waterloo Place, where he put this, has a bunch of statues already for tourists to gawp at, just now as well as "Bloke on a Horse who was an important military leader" there's this guy stepping off his plinth because the flag blocks him from seeing what's in front of him.
The City is dead at night. If an artist wants to put art there, they'd just as somebody else said, dress up like they are workmen and be fine.
Banksy (Robin Gunningham) is the most mainstream establishment artist, while thinks himself a counter-culture revolutionary. That's what makes him so cringe. He's just another champagne socialist.
One of my favorite contemporary musicians is a Socialist Filipino rapper who lives in LA. I can enjoy the music while finding the ideology abhorrent because they are two separate things.
There's no definitely about that at all. The city of Westminster issued a statement that seems fairly clear that they were as surprised as everybody else but are taking steps to protect it.
If someone was to deface this statue would they face legal action? It’s kind of an interesting thought, side if it really was just put up without the city’s authority it would be okay, and if it wasn’t it defeats the entire point.
“Rage against the machine” by doing what the machine wants type thing.
It took me a minute to figure out why I think it's lame.
I suspect that Banksy and his fans are sure that it's "the other" Britons that are blinded, it's not a self-reflection prompt for them. Maybe I am wrong.
Maybe a more powerful piece of art would have that self reflection effect across the board. As is it feels about as nuanced as "fuck trump" and similar. If you already agree you already agree, if not then you just think it's stupid. So ultimately feels like impotent art unless I am totally misunderstanding.
So many people connect this to political topics... For me this is the genius thing about the statue. Seems to be, that quite a lot people are so wrapped up in political debates and political positions, that it has to have political meaning. Maybe this statue is the exact opposit thing of a political message.
I can't get over the flag itself… It's a black flag. Not a British flag, not a white flag,… A BLACK flag.
Historically, the black flag is strongly associated with anarchism, anti-state politics, revolt, and rejection of national authority.
Had he colored it in the union jack, then I would've said it was nationalism, and the person is blinded by nationalism.
But. This is Banksy, black-and-white Banksy, so there may be no symbolism behind the black flag, but it's just very interesting. I can't accept that he would not have considered the color of the flag.
Black flags are never depicted being wielded in this way. The stance and the clothes of the person carrying the flag are two more artistic shorthands that makes it very clear that this is a national flag, not a black flag of solidarity.
How would you say your numbers compare to the amount of business leaders who are marketing themselves with messages of liberation, but actually want to usher in an era of unfettered corporate authoritarianism? I was not saying an anarchist wearing a suit cannot exist. Rather I was pointing out the current hypocritical pop culture adoption of the concepts of anarchism/libertarianism.
Who decides that this is from Banksy? I could make a stencil graffiti in my village and claim it's from Banksy and noone could prove me wrong. Or is he using a digital signature as proof of authorship?
Remember kids. Don't believe in anything. Don't join anything. Don't give even a small part of yourself up to anything. Don't be part of anything bigger than yourself.
I had to check your other comments and now I get it that you still regard flags as having some sacred meaning in the great national past, but for me they always were about gathering as much human expendables underneath.
Sure, they might have had generated enough sacred reverence, those bloodbaths of past.
... that blinds you to any alternative; that indoctrinates distrust in different perspectives; that elevates the humanity of fellow believers above others.
Well, for a failing artist he is quite impactful, isn't he? News around the world reporting about it. People discussing it. This seems to be quite inspiring and anything else but failing.
The point is not just that he's blinded by the flag: He's boldly marching into the void, confident. "wrapped in the flag" is a great saying.
Worse than a void because a void is not necessarily bad. Walking “off a cliff” rarely ends well.
Agree, but that's what we know. The man in the statue is walking into a void from his perspective because he lacks knowledge of his true predicament and is blindly marching forward.
I think it's a reasonable statue. But does anyone else think it's a bit obvious, more so than his other work? Like there is no doubt on the meaning at all, it's all right there on the surface level.
Not sure we think of Banksy as being particularly subtle. Innovative and impactful, sure - but the message is usually quite clear, no?
It's always been about as subtle as a sledge hammer
He started with literally graffiti. So sure - not subtle!!
Our first exposure to Banksy was when we were hitting puberty. We probably thought they were subtle back then.
I don't think most of his work is trying for subtle? First thing that came to mind: "Slave Labour" is pretty obvious, it's a kid operating a sewing machine to make Union flags and it was painted on an actual pound shop. Were you unsure of the message? Even something like "Silent Majority" isn't difficult, the comic book "V for Vendetta" makes the exact same point just Banksy painted it as a mural.
Have you seen the state of the world? Why would you go through the trouble of being subtle nowadays?
Certainly in America but all over the west, people are significantly less capable of media literacy. Sometimes the obvious needs to be said.
> Certainly in America but all over the west, people are significantly less capable of media literacy.
Not sure if you are serious, but my experience is the exact opposite…
> there is no doubt on the meaning at all
Which flag? Or, what kind of flag? Or does it matter?
It does not matter. Any ideology can be followed blindly to one’s ruin. Nationalism is common, but there are others.
"The LGBTQIA flag obviously"
"It's clearly the national flag"
I’d say what matters is whether it matters to you. What difference does it make in the outcome?
Flags overwhelmingly represent nations, groups considering themselves nations, that were nations or have some kind of individual governmental status.
If you asked 100 people to imagine a particular flag to attach to that statue, 95% of them are going to be current, unrecognized, or former states.
It is universal. The flag, the state, the man. Details don't matter.
the kind that flag shaggers shag
it gets people talking which many of those who like it consider to be the primary point. In other words, it's not great public art, it's basically government approved engagement bait or engineered pro-establishment viral messaging and it's very successful at that! (but it doesn't inspire and elevate that art should aspire to)
> engineered pro-establishment viral messaging
I don’t understand this. What speaks pro-establishment in this piece?
It was installed in the middle of a street owned by the government. Police are guarding it to prevent vandalism or removal. Both the Westminster City Council and the Mayor of London have praised the statue and called for it to be preserved.[1][2]
If the man holding the flag had been wearing a thawb instead of a suit, I think the establishment's response would be quite different.
1. From https://www.bbc.com/news/articles/c5y9wlnwl85o "We're excited to see Banksy's latest sculpture in Westminster, making a striking addition to the city's vibrant public art scene. While we have taken initial steps to protect the statue, at this time it will remain accessible for the public to view and enjoy."
2. From https://www.nytimes.com/2026/04/30/world/europe/banksy-londo... "Banksy has a great ability to inspire people from a range of backgrounds to enjoy modern art. His work always draws great interest and debate, and the mayor is hopeful that his latest piece can be preserved for Londoners and visitors to enjoy."
If one can read this as pro-establishment, it's proof that the the art is indeed not so obvious as suggested above :)
In the UK the establishment is generally unsettled by the display of the English flag.
https://edition.cnn.com/2025/08/29/uk/st-george-flag-england...
> "in September 2025, Banksy painted a mural on the Royal Courts of Justice depicting a judge bludgeoning a protester with a gavel"
His other works aren't subtle.
I think a good old fashined "we are all fucked" is warranted now and again.
It's also referencing the recent flag controversies in the UK over the past year.
This one definitely lacks ambition compared to other works. Probably because his other work had a subversive undertone, this one seems sponsored by the powers that be. I also suspect it was installed with cooperation from the local authorities.
I think you took a wildly different interpretation of this art than I did.
The “powers that be” hate ideology?
it's less than mediocre art. Using the following statue from Temu for vandalism would be a stronger art statement: https://www.temu.com/1pc-3d-printed-bride-sculpture-elegant-...
Yes doesn’t feel very innovative
Do know know of any “prior art”, so to speak?
Well the problems it's referencing are glaringly obvious as well, and yet so many people still refuse to acknowledge them.
He's always been one to land a one-liner, or just a punch line.
Sadly, in this day and age, that simple one-punch obvious meaning is just what's needed.
I have the same reaction to Banksy, and figure he and his audience just have to be in on the joke? I can’t discount there’s some layered irony going on in conversation between the artist and the intellectual / capitalist / trend-setting elite that are his effective patrons.
“I remember when all this was trees” [1] is maybe the best example. Detroit hasn’t been “trees” in something like two centuries. Platitudes doused in treacle.
[1] https://www.usatoday.com/story/news/nation-now/2015/10/01/ba...
I misparsed this headline as
(Statue (of a man (blinded by a flag (put up by Banksy)))) in central London
It is intended to be
((Statue (of a man (blinded by a flag))) (put up by Banksy)) in central London
The actual headline is more coherent but I'm not too fond of it either.
You really don't see any good ol' fashioned short and sweet headlines that read best to the ear in a Mid-Atlantic accent anymore.
Banksy erects central London statue of man blinded by flag, maybe?
I was like, that's horrible how did this flag cause someone to go blind... Did it like fall on the guy when Banksy was putting it up? oh. duh...
Banksy is the patron saint of the “I’m 13 and this is deep” mentality.
"Blinded by nationalism" I don't know, seems like a clear concise message that has relevance in today's world.
Why nationalism? A flag can represent more than a nation. Can be blinded by any "flag" / ideology.
Since last summer a lot of flags appeared all over the UK.
https://en.wikipedia.org/wiki/Operation_Raise_the_Colours https://manchestermill.co.uk/the-men-who-raised-the-flags/
I went back to England last year and couldn't believe how many flags there were, I was shocked and not in a good way
Every criticism levelled at the St. George's Cross can be levelled at the Union Jack. It is time people in England had a healthier relationship with their flag, more like Scotland and Wales, and less like Northern Ireland.
The ambiguity is part of the charm. Something that reveals more about the beholders than the artist makes for stimulating conversation and discovery.
Even the new positioning of the art on a plinth in some open space is enigmatic. If it were a critique of the powers that be, why would officialdom collaborate in propping it up?
why indeed
Interpretations, in my art?
Seriously, this is part of the fun of art. Neither of you are wrong for reading different messages into it.
Flags overwhelmingly represent nations, groups considering themselves nations, that were nations or have some kind of individual governmental status.
Nations != governments.
“Nations” as synonym for country started appearing only recently, in last two/three hundred years.
Flags have thousands of years of history.
They don't at all. Consider for example that every single city, county and local council in the UK has a flag. There are flags for the United Nations, the European Union, Esperanto, every major football team and most political movements including the CND and anarchism.
Flags also represent causes, or groups that don’t aspire to becoming a nation.
Is it though? This can mean anything. Is waving a Palestinian flag the same as waving an Israeli flag? Where do we draw the line between harmful and productive nationalism? Who exactly is blinded by nationalism?
It is vague enough to appear deep to those trying to find something deep but not concrete enough to appear as anything that will stick in people's minds for more than a week. Unfortunately a lot of modern art is like this.
> Is waving a Palestinian flag the same as waving an Israeli flag?
Waving a flag is not a problem in itself. You can be proud of being part of whatever group you like and not hurt anyone. The problem is when the flag becomes the prism through which you see the world. Or, as the statue puts it, when you’re blinded by it.
Both Israel and Palestine are blinded by ideology. It is a very common failure mode for people.
When one is a colony of the other the flag of the colonized has added symbol of decolonization. The flag of the colonizers has no such symbol, quite the contrary in fact. These two flags are clearly distinct.
Any attempt at "both sides" messaging is just an attempt of diversion from ethnic cleansing. Cute messages break down the moment you look at things more concretely.
Even if you don't care about palestine, keep in mind imperialist states never stop at one place as we are already seeing.
So ... Hamas does not want to do ethnic cleansing and attempted that a couple of times, but simply were not as powerful to have a bigger impact?
Resistance to illegal occupation and colonization isn't ethnic cleansing, it's a legal right as ruled by every international body since Israel was formed. Totally false equivalence.
If you want to remove a certain set of people from land (people who were born there btw.) you are engaging in ethnic cleansing. The definition is clear here.
waving any flag and thinking its us or them is equally blinding. the world is not vacuum and to coexist we need to put flags behind and work together.
Are you from the UK and know what the piece is a reference to? It’s topical and unpretentious and comes at a time where the country is splintering. Feels a like a bit of a distant midwit take to take shots at the appeal it has.
Explain like I'm 13 and don't live in the UK.
https://news.ycombinator.com/item?id=48001630
Splintering? You have two zombie parties that are really the same in different colours. Of course people are going to vote for other parties that seem more left/right wing. Predictable consequence.
Splintering because some are going one way and others are going the opposite direction. Heading to opposite extremes.
Most galvanizing statements have been pithy and comprehensible to 13 year olds. The general population is not doing a deep dive in to something like Thoreau’s “Resistance to Civil Government,” contemplating the proper role of government, and then getting fired up to act. We need CliffsNotes, slogans, and visible art like this.
Heaven forbid someone tries to communicate a point with art.
The irony is that the statue is being guarded by the London police.
That’s not irony. It’s a pro-establishment piece. If it was a piece about migrants raping British women Banksy would be in jail right now.
I think it deserves credit for being both simple and original.
So, you are 14 and you understand the world? Doesn't seem like it
Account created last year, is Banksy your patron saint?
It doesn't need to be super layered to be impactful?
Plus the execution is also part of the art.
Actually it’s a great example of something different, where the person who was original and eventually becomes ubiquitous and groundbreaking and widely imitated to the point where it's hard to understand just how original they actually are.
There are many examples of the same thing: Andy Warhol and the soup cans and screen-printed portraits with different color backgrounds or Led Zeppelin and English folk hard rock songs that have hobbits in them are two of them.
Eventually, it's hard to even process their work in the context of how predictable and trite it seems to be a few decades later.
This works really well these days, when the average person is 13.
This criticism would carry more weight if the people this statue criticises had the intellectual and emotional maturity beyond that of a teenager.
Unfortunately, they often don't meet that bar, so the message has to be in a form they can understand.
"They'd be pretty angry if they could read"
You're being downvoted but honestly the "everyone is twelve now" meme explains our collective societal dysfunction perfectly.
There's no point to complexity or subtlety in art anymore, or even any kind of symbolism at all. Anything that needs to be interpreted, that doesn't have a single objective meaning which gets spelled out for you. Flag man is silly. Everyone is twelve now.
Lana Wachowski has said that the Red Pill movement taught her that no matter how unsubtle you are, it's still too subtle for some people.
Huh. I hadn't thought about how the "Red Pill movement" would feel for the Wachowskis, yeah, there's truly no limit to how oblivious people can be and this thread is illustrative.
Really riles up PE types and "patriots" though.
He's also king of the "I'll criticize the west but I'll turn a blind-eye to non-democratic countries' wrongdoings". A trait shared with virtually all intellectuals and artists in the west.
There are fights worth fighting: for example there are 300 million women alive who have undergone forced genital mutilation. 300 million ain't cheap change. There are also hundreds of millions of people who applauded the killing of 1200 young civilians who were enjoying life at a music festival "because it's resistance".
Applauding the killing of young unarmed civilians, genitally mutilating women and turning a blind-eye to a regime slaughtering 30 000+ of its own unarmed civilians is where I personally draw the line and consider there are maybe more important things to complain about than, say, "the patriarchal western society built by heterosexual white men" or some other woke non-sense like that.
Now to be honest Banksy did art criticizing war overall, not just war started by the west. So a generous reading could consider that he also criticizes things like the 800 000 deaths during the Hutu vs Tutsi war.
But still overall: lots of balls from western artists when it's about criticizing the west, but tiny tiny nuts when it's about, say, attacking the ideology that is responsible for 300 people enjoying music at the Bataclan and then getting slaughtered.
But these people can live with their own conscience: I speak up and I've got mine.
That's a lot of imaginary flaws in imaginary people, with imaginary numbers as scaffolding.
The moral posture you're criticising is not actually a thing, I personally don't know of any Western intellectual who criticises the West but is fine with FGM for example. But it seems that the fault you find in them is that when they criticise the West, for example, they don't also add a list of grievances against all the other countries (but surely they'd have to speak for 10 hours every time they open their mouths?).
It's also funny how you take the 30,000 Iranian civilians killed at face value, but don't talk about the wrongs of the British empire. And you didn't even mention North Korea once. You see the issue with your reqs?
Are you making art to fill that perceived gap, or just lodging your objection to people doing their own thing? No artist owes you a curriculum of your design.
There's a lot wrong with the world, but it seems not unreasonable for people to more strongly critique things 1) they feel they have some responsibility for or 2) that directly impact them or 3) where their criticisms are more likely to result in positive change.
What do you want the artists to do about it? Part of art's power is shining a light on something we don't notice day to day. Most westeners are against mutilation, what would the art say?
Art will always be about speaking truth to power, and that power will usually be the one closest felt. There's not much value in a swede speaking truth to Nigerian warlords.
> Banksy is the patron saint of the “I’m 13 and this is deep” mentality.
You are wrong.
Maybe, but in 100 years, people looking back on the current era will easily understand the work. It symbolically communicates something about the spirit of the age.
Banksy's "anonymity" is a total farce at this point, thoroughly supported by those in power.
I'm not sure what you mean by "Those in power" there are lot's of people who know, but recognise that he has chosen anonymity and see no value in putting a name to the person.
It's not so much a secret as it is simply not public.
Tracking Bansky is a favorite spy software sales demo given to authoritarian governments.
Who cares? Are you similarly triggered by The Rock or Alemao? Banksy is Banksy.
The point appears to have whizzed a couple of feet over your head.
The piece states that it appears to be molded fiberglass. But is anyone aware of any more in depth analysis of its materials/possible production technique? Was the pillar barren on top before?
The pillar is fiberglass too, I believe.
There's a (mostly terrible) documentary about a previous bansky "statue" deposited in London that, in one of its better moments, tracks down the people who actually make statues for artists like banksy.
https://en.wikipedia.org/wiki/The_Banksy_Job
edit: I feel I should clarify that this is not an official Banksy documentary. He made "Exit Through the Gift Shop" which is an amazing film which I highly recommend to anyone.
Yeah, definetly had the city agree to it, no way in hell to sneak a statue like that without the cops getting involved.
Apparently not:
https://www.bbc.com/news/articles/cn4pvyw82exoCouncil permits are usually quite public (in my country). Sneaking it in becomes part of the artwork.
The trick is not to sneak it. Hi Viz and some yellow flashing lights. Couple smooth talkers.
Pretty much what we learned as student when we were doing something which we technically had no permit for (like digging out some stuff, using it for a theme party and putting it backs few days later). Put on some hiviz and nobody is the wiser.
Agreed. Also why it's totally inoffensive
(Though it's not in /the/ City of London. That wouldn't happen in a million years! City of Westminster is way more culturally flexible)
It doesn't make sense in the City. Waterloo Place, where he put this, has a bunch of statues already for tourists to gawp at, just now as well as "Bloke on a Horse who was an important military leader" there's this guy stepping off his plinth because the flag blocks him from seeing what's in front of him.
The City is dead at night. If an artist wants to put art there, they'd just as somebody else said, dress up like they are workmen and be fine.
I dunno they were flexible with the Piranha art work displaying it in the guildhall temporarily.
https://www.bbc.co.uk/news/articles/cx2qz89nk11o
Banksy (Robin Gunningham) is the most mainstream establishment artist, while thinks himself a counter-culture revolutionary. That's what makes him so cringe. He's just another champagne socialist.
Perhaps, but he’s also a talented artist.
One of my favorite contemporary musicians is a Socialist Filipino rapper who lives in LA. I can enjoy the music while finding the ideology abhorrent because they are two separate things.
Somebody has to enlighten mimosa-party participants about socialism.
Anyone else leaving up a huge statue in the middle of the park would be arrested
seems missed in the general commentary that there is also an inherent commentary on the western tradition of “blind justice” https://i.etsystatic.com/13403651/r/il/40b0bf/6851322246/il_...
How so? The concept of the 'blindness' of justice is antithetical to blind patriotism.
Things were more fun when they were actually transgressive and not just the established doctrine of those in power.
Yeah. The safety of the message is underwritten by its state sanction.
He definitely got a permit for that which makes the whole thing even more laughable
There's no definitely about that at all. The city of Westminster issued a statement that seems fairly clear that they were as surprised as everybody else but are taking steps to protect it.
If someone was to deface this statue would they face legal action? It’s kind of an interesting thought, side if it really was just put up without the city’s authority it would be okay, and if it wasn’t it defeats the entire point.
“Rage against the machine” by doing what the machine wants type thing.
Yes. This is state-sanctioned think. They probably paid to put it up!
That evil city council..
It took me a minute to figure out why I think it's lame.
I suspect that Banksy and his fans are sure that it's "the other" Britons that are blinded, it's not a self-reflection prompt for them. Maybe I am wrong.
Maybe a more powerful piece of art would have that self reflection effect across the board. As is it feels about as nuanced as "fuck trump" and similar. If you already agree you already agree, if not then you just think it's stupid. So ultimately feels like impotent art unless I am totally misunderstanding.
Is it that important to decode what author thought when he was making it?
What if the design was made by generative model, does the statue become more or less valuable?
So many people connect this to political topics... For me this is the genius thing about the statue. Seems to be, that quite a lot people are so wrapped up in political debates and political positions, that it has to have political meaning. Maybe this statue is the exact opposit thing of a political message.
I don't think it's impotent at all.
I think you're wildly overestimating the general population's capacity for nuance.
Particularly in a world where nuance goes the same way as wood logs near a fire place.
Are you trying to be ironic?
Yet us talking about it just prompted me to consider how that applies to my life, so something good came of it :)
Which flag?
The one he's carrying.
Any flag.
A black flag!
Whoooosh
And others in this thread were worried about it being too obvious ... ffs
Statue of a man in a suit walking off a precipice while blinding himself with the flag he is carrying.
https://banksy.co.uk/index.html
I can't get over the flag itself… It's a black flag. Not a British flag, not a white flag,… A BLACK flag.
Historically, the black flag is strongly associated with anarchism, anti-state politics, revolt, and rejection of national authority.
Had he colored it in the union jack, then I would've said it was nationalism, and the person is blinded by nationalism.
But. This is Banksy, black-and-white Banksy, so there may be no symbolism behind the black flag, but it's just very interesting. I can't accept that he would not have considered the color of the flag.
It’s Banksy. He uses color to highlight things or where the color is important. Here, I assume the flag is intentionally indistinguishable.
Black flags are never depicted being wielded in this way. The stance and the clothes of the person carrying the flag are two more artistic shorthands that makes it very clear that this is a national flag, not a black flag of solidarity.
I think it's about being slightly more subtle than a frontal attack on a specific flag.
But from an American perspective a guy wearing a suit while carrying an "anarchist" flag wouldn't be inappropriate, either.
Why not?
We anarchists with careers do in fact exist. There are probably dozens of us outside of tech, even!
How would you say your numbers compare to the amount of business leaders who are marketing themselves with messages of liberation, but actually want to usher in an era of unfettered corporate authoritarianism? I was not saying an anarchist wearing a suit cannot exist. Rather I was pointing out the current hypocritical pop culture adoption of the concepts of anarchism/libertarianism.
Wind bad.
Who decides that this is from Banksy? I could make a stencil graffiti in my village and claim it's from Banksy and noone could prove me wrong. Or is he using a digital signature as proof of authorship?
He posts on his Instagram to verify authenticity: https://www.instagram.com/p/DXwf7pis6KT
If you want to know authenticity, you submit to https://pestcontroloffice.com/auth1.asp -- they verify / deny, and that is the final word.
Is that site for real? It almost seems like some kind of Monty Pythonesque humour site.
Yes it's real: https://banksy.co.uk/in.html (licensing)
His agent would tell the media that your vandalism is not genuine
Remember kids. Don't believe in anything. Don't join anything. Don't give even a small part of yourself up to anything. Don't be part of anything bigger than yourself.
Don't be part of anything bigger than yourself that treats you as expendable human oil.
Stop and reflect for a moment. Then continue as usual (quite likely)
I had to check your other comments and now I get it that you still regard flags as having some sacred meaning in the great national past, but for me they always were about gathering as much human expendables underneath.
Sure, they might have had generated enough sacred reverence, those bloodbaths of past.
You forgot to add:
... that blinds you to any alternative; that indoctrinates distrust in different perspectives; that elevates the humanity of fellow believers above others.
much more sound advice than you think…
Counterpoint: Where I come from, families don't have flags.
Really makes you think. I guess Palestine and Ukraine should just give up.
Trite and uninspiring. Banksy trying to stay relevant and failing.
Well, for a failing artist he is quite impactful, isn't he? News around the world reporting about it. People discussing it. This seems to be quite inspiring and anything else but failing.
Got you to comment, job done. Engagement: tick.